True Detective: Night Country S4 (2024)

For True Detective: Night Country (Season 4, 2024), I line-produced the compositing work alongside the delivery of unplanned CG ice cave set extensions, while also managing GFX and DMP work. The CG was introduced for shots not originally intended for VFX, requiring careful integration into live-action footage and an accelerated delivery. With no lidar, photogrammetry or on-set scans available, we had to adapt quickly, relying on plate analysis, reference gathering and manual reconstruction to support the work. I managed the matchmove pipeline, overseeing camera tracking, object tracking and layout alignment to ensure accurate spatial continuity for downstream compositing and environment integration. I coordinated schedules across multiple disciplines, navigating complex creative requests and tight timelines, ensuring the work remained cohesive and grounded despite the late-stage addition of significant CG and environment work.