The Little Mermaid (2023)

For The Little Mermaid, I worked at MPC supporting delivery across layout and animation through separate phases of production. I coordinated the animation team on the Poor Unfortunate Souls sequence, a fan-favourite musical moment, helping manage schedules, reviews and the delivery of temp versions to support editorial and creative decision-making. I later returned to the project to coordinate the layout team for the final boss fight, which included a giant Ursula, a sinking ship and a large-scale whirlpool. This required careful scheduling, clear communication and close alignment as the work progressed through departments towards final delivery.